I used this on the Mellotron tribute album Rime Of The Ancient Sampler, and it fooled many listeners. If you're sneaky, you might suggest the Mellotron, which featured a sampled piano among its more obscure tape frames. Each exudes piano-ness, and you can sometimes use them when a piano would be the preferred instrument, but try to play a Rachmaninoff piano concerto on one and you'll soon discover its limitations. despite their electromechanical (as opposed to purely electronic) sound-generating mechanisms, none of these sounds like an acoustic piano. Roland RD1000 (the 'Elton John' piano).You could go back as far as 1954, and propose the earliest Wurlitzers, or to the mid-'60s, when the Fender Rhodes, Wurlitzer EP200, and Hohner electric pianos first appeared. But do you? Ask yourself, what was the first electronic keyboard capable of sounding like, and responding like, a 'real' piano? You might think that you'd have to be pretty wrinkly to remember the days when synthesizers were unable toproduce convincing acoustic piano sounds. Surely the only convincing synth pianos are sample-based ones? A sound as rich and expressive as that of an acoustic piano is far too complex to be rendered by subtractive synthesis.
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